Tag: NYC

The State Of Gay Nightlife: Response from Club Owner Bob Fluet of Boxers NYC

My view of the State of Gay Nightlife is coming from a different perspective than most.  Not only am I an owner of Boxers NYC, but I am also the owner of a commercial Design/Build firm in NYC for almost 20 years.  What I see is not necessarily the lack of an audience, but a huge lack of available space in Manhattan.

The Past:  The days of the big clubs and party venues are over as we knew them.  I cannot imagine a time again when such venues as The Roxy or The Limelight will again be a part of the Gay or straight nightlife.  But I do not see it simply as being the growth of the internet or Grindr, or all the other “in house” options we have today.  Our want to socialize and party will forever be in our DNA.  But there have been so many changes in our surroundings that have seriously affected our ability to create the kind of spaces that would allow these venues to exist.

The Assault:  Mayor Guilani began his crackdown in the 90’s directly on the existing venues and their patrons and literally drove them out of business or made it nearly impossible for them to stay.  Not only was there pressure on the club owners but serious pressure was put on the landlords who rented to them.  Many places simply lost their lease and had to close.  They searched in vain for new locations but were denied leases again and again as the landlord did not want the problems that were associated with a club or the pressures from City Hall.

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Last night with DexStar G / 2.1

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Cabaret Review: Petula Clark

by Jonathan Warman

Petula Clark is best known as a singer, but on the basis of her cabaret show at Feinstein’s – her first such show in the city since the 1970s – I’d venture to say she’s even stronger as an actor and writer. Sure she’s won two Grammy Awards, and one of the evening’s high points is a beautifully sung “La Vie En Rose” (on which it should be noted, Petula accompanies herself gorgeously on piano).

But that “La Vie” is stunning in part because she so clearly acts, in both her singing and playing, the emotional story behind the song. And the very highest point of the evening is Clark’s reading of her own poem “The Theatre” – a refreshingly honest love letter to that art form. She prepares the audience for it very cleverly, comically anticipating their groans of “oh God, a poem”. Even though people generally think of Clark as as phenomenon of the 1960s, she in fact had been acting since her childhood in the 1940s, and that shines through.

The evening didn’t start out so promisingly, with Clark singing a terribly cheesy arrangement of Cole Porter’s “I Concentrate On You”. But then she went on to perform her chart-topping pop hits like “Downtown,” “I Know A Place” and “My Love,” generally in ways that were intriguingly more bluesy that the originals.

Even stronger though, were songs from her theatrical career from shows such as Sunset Boulevard, Blood Brothers and Finian’s Rainbow – these are where Petula, the committed actress, gave the most help to Petula the pop singer. All in all, this act is a pretty fun entry in New York’s cabaret world, and for someone who hasn’t done this kind of thing in decades, pretty damn good.

For tickets, click here.

For more reviews and interviews by Jonathan Warman, see his blog Drama Queen.

Last night with DexStar G / 1.31

Capturing last night one click at a time

Cabaret Review: Lady Bunny

by Jonathan Warman

Riotously funny “Dean of Drag” Lady Bunny doesn’t put limits on what she’s going to say or do in her new cabaret act “That Ain’t No Lady”; sure there are plenty of pre-planned numbers and videos – like her famous, zany Laugh-In style routines – but one of the great charms of this show is its spontaneity. Bunny is one of the smartest drag queens ever, and she is equally likely to launch into incisive political rants (my favorite parts of the show) or a steady stream of dick and poop jokes. She’s a powerful presence who also posses a terrific sense of when to keep it light. Girl knows just how to milk it!

She never stays in one mode for too long, and while she might go all stream of consciousness at certain points, she never quite seems to ramble. The Lady isn’t afraid of sentiment, but she’s not sappy – a heartfelt tribute to Amy Winehouse is followed by jokes about her death that are in the worst possible taste. It’s a terrific balance, and probably the only way you could tell those jokes in a way that’s funny rather that truly offensive. She does the same thing with Cher, praising her talent and drive just before satirizing her as the monstrous “Scare” in a wicked spoof of BURLESQUE.

In the same way that Varla Jean Merman does, Bunny covers her costume changes with her YouTube videos. These include her rap debut – “Watch your back, Cazwell!” she warns – in a parody of “Like A G6” turning it into an ode to uncircumcised men entitled “Like A Cheese Stick”. That’s the hilariously low level of most of this energetic, mostly-for-the-laughs winner – definitely the funniest gay show in town!

For tickets, click here.

For more reviews and interviews by Jonathan Warman, see his blog Drama Queen.

 

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