When Martin McDonagh is at his best, he’s one of the greatest comic playwrights alive, and he’s at his best, unquestionably, with The Cripple of Inishmaan. Set in 1934 – decades earlier than most of McDonagh’s plays – Cripple finds filmmaker Robert Flaherty (whom we never see) arriving on the island of Inishmore to film his movie The Man of Aran. On the neighboring island of Inishmaan, where the entire play is set, crippled, orphaned Billy Claven (Daniel Radcliffe) longs to be in the film. And, in a series of hilarious reversals that are too good to give away, he actually gets his chance.
Tag: New York
Out cabaret star Mark Nadler is one of the greatest showmen of our time, capable of leaping from floor to piano bench, while keeping steady eye contact with the audience – all the while playing a complex passage on the piano without even glancing at the keys. In “Runnin’ Wild”, his new show about the Roaring Twenties, Nadler plays and sings with his usual virtuosic abandon, in a show constructed with his usual passionate intelligence. And as usual, the show is stunning.
This play isn’t as relentlessly dark as I remembered it to be, there’s plenty of humor, and long stretches of camaraderie. Still, there’s no denying that Of Mice and Men belongs solidly in the genre of Tragedy. The play follows the unlikely pair of George (James Franco) and Lennie (Chris O’Dowd), migrant workers in 1930s Salinas Valley of California, who dream of one day having land they can call their own. George is pugnacious and practical, Lennie mentally “slow”, sweet-tempered (but when he’s not, he’s not) and monstrously strong.
The power of siblings harmonizing is on glorious display in performances of the legendary cabaret act Sibling Revelry, which hadn’t been seen in New York in over 15 years. Verifiably legendary at that – it’s so broadly influential that two drag queens in Pennsylvania make it their schtick to perform the Callaway sisters’ entire act.
This is easily Ridiculous Theatre legend Charles Ludlam’s most-produced play, and the fantastic production at the Lucille Lortel Theatre richly demonstrates why. The Mystery of Irma Vep is an affectionate parody of horror stories and thrillers from Shakespeare to Alfred Hitchcock. From the secret crypts of Egypt, where mummies cast enthralling charms, to the murky moors of Mandacrest Mansion, where werewolves and vampires are constantly creeping around, this highly theatrical spoof, if done well – as it is here – is truly astonishing.