This play isn’t as relentlessly dark as I remembered it to be, there’s plenty of humor, and long stretches of camaraderie. Still, there’s no denying that Of Mice and Men belongs solidly in the genre of Tragedy. The play follows the unlikely pair of George (James Franco) and Lennie (Chris O’Dowd), migrant workers in 1930s Salinas Valley of California, who dream of one day having land they can call their own. George is pugnacious and practical, Lennie mentally “slow”, sweet-tempered (but when he’s not, he’s not) and monstrously strong.
Tag: New York
The power of siblings harmonizing is on glorious display in performances of the legendary cabaret act Sibling Revelry, which hadn’t been seen in New York in over 15 years. Verifiably legendary at that – it’s so broadly influential that two drag queens in Pennsylvania make it their schtick to perform the Callaway sisters’ entire act.
This is easily Ridiculous Theatre legend Charles Ludlam’s most-produced play, and the fantastic production at the Lucille Lortel Theatre richly demonstrates why. The Mystery of Irma Vep is an affectionate parody of horror stories and thrillers from Shakespeare to Alfred Hitchcock. From the secret crypts of Egypt, where mummies cast enthralling charms, to the murky moors of Mandacrest Mansion, where werewolves and vampires are constantly creeping around, this highly theatrical spoof, if done well – as it is here – is truly astonishing.
This play is, without a doubt, a masterpiece of the American theatre, and director Kenny Leon has given a solid, understated account of it. Set on Chicago’s South Side in the 1950s, A Raisin in the Sun follows the conflicting dreams among three generations of the Younger family: son Walter Lee (Denzel Washington), his wife Ruth (Sophie Okonedo), his sister Beneatha (Anika Noni Rose), his son Travis (Bryce Clyde Jenkins) and matriarch Lena (LaTanya Richardson Jackson). When Lena’s deceased husband’s life insurance money comes through, everybody has different plans for it, which makes for much of the show’s dramatic conflict.
In Terrence McNally’s often funny, always thoughtful new play Mothers and Sons, mother Katherine (Tyne Daly) pays an unexpected visit to the New York apartment of her late son’s ex-partner Cal (Frederick Weller), who is now married to another man, Will (Bobby Steggart) and has a young son. She has something of her son’s to give Cal, but things get more complicated the longer she stays.