This is very much in the mold of musicals like Hairspray and Priscilla, Queen of the Desert – both shows in which Kinky Boots‘ director/choreographer Jerry Mitchell had a major hand, it should be mentioned. Like them it’s a splashy, colorful, drag-filled joyride of a show, with a soft-sold message of tolerance that never gets in the way of high-energy production numbers. And like those shows, I predict Kinky Boots will be a big fat hit (if I had to guess, I’d say bigger than Priscilla, not as big as Hairspray).
Tag: New York CIty
Just about everything about this show is charming. To begin with, the underlying concept: the play is indirectly about Barbra Streisand’s “elegant barn”, the main subject of her book A Passion for Design. That basement includes a street and fake “shops” to display her collections. Playwright Jonathan Tolins was so tickled by the idea of those fake shops having a real shopkeeper that he created this one-man show about “Alex More” a struggling L.A. actor who takes exactly that job.
This is an above-average musical, but only slightly above average. The ideas behind it are certiainly intrigruging, but are inconsistently developed. Everyone in the creative team has done solid, sometimes even inventive craftswork – all in all, Hands on A Hardbody has some really great parts, but is finally less than the sum of those parts.
On a weekend that when all eyes should have been on the Saint at Large Black Party, another gay nightlife duel was taking place in New York City as John Blair’s new Viva party premiered challenging his former partner Brandon Voss at XLS.
And let’s face it, there’s no love lost between Blair and Voss. Who can think of a better way to settle things than a big gay dance off?
Christine Quinn, the front runner in the New York City Mayor’s race, hit the talk show circuit this week defending her tough, no-holds-barred approach to government.