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Theatre Review: “Pippin”

Pippin 1946

I really enjoyed the circus acts that populate director Diane Paulus’s revival of Pippin. They did nothing, however, to make me reevaluate my lukewarm feeling toward the show as a whole.

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Theatre Review: “Orphans”

Orphans 1858

I liked this a great deal more than I expected! It’s no secret that I don’t care much for melodramatic plays full of straight boy attitude – I’m talking to you David Mamet and Neil LaBute! Of that sort of thing, I most enjoy Sam Shepard, who digs a lot deeper than the abovementioned duo; plus, his plays are filled with visual and literary images of great (and often somewhat mysterious) impact.

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Theatre Review: “The Big Knife”

BigKnife144r

This revival is decidedly better than many reviews out there suggest. Perhaps the problem is that Clifford Odets’s The Big Knife, a very good play, is showing up in a season with top-flight revival of what many feel is his best play, Golden Boy.

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Theatre Review: “The Nance”

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This is Douglas Carter Beane’s best play yet! In The Nance, he delves into a world that has long fascinated me, the world of effeminate gays as characters in nightclub entertainment of the early 20th Century.

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Theatre Review: “Motown”

Motown: The Musical Lunt-Fontanne Theatre

I’ll admit I’m biased – I may not be a boomer who lived through the glory days of Motown, but I have loved Detroit soul for as long as I can remember. So, even though Motown the Musical isn’t as well constructed as, say, Dreamgirls (ahem), I still had a royally good time.

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