Tag: gay pride

Theatre Review: “I’m A Stranger Here Myself”

Mark-Nadler-ImAStrangerHereMyself-Image 2013

Mark Nadler is one of the greatest showmen of our time, capable of leaping from floor to piano bench, tap-dancing madly, singing and keeping steady eye contact with the audience, all this while playing a complex passage on the piano without even glancing at the keys. However, in his latest, I’m A Stranger Here Myself, he takes a somewhat more low-key approach – the abundant theatrics and virtuosity are still there, but applied in a different way. Stranger was originally a cabaret show, but Mark has worked with director David Schweizer to craft it into an even more thoughtful multimedia theatre piece.

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Cabaret Review: Mark Nadler

Cabaret star Mark Nadler is one of the greatest showmen of our time, capable of leaping from floor to piano bench, tap-dancing madly, singing and keeping steady eye contact with the audience, all this while playing a complex passage on the piano without even glancing at the keys. However, in his latest at 54 Below, I’m A Stranger Here Myself, he takes a somewhat more low-key approach – the abundant theatrics and virtuosity are still there, but applied in a different way.

For this show, Nadler performs songs by German and French songwriters who were active between 1919 and 1933, the years of Germany’s Wiemar Republic (though not all the songs are from that period). Nadler examines these composers’ lives as well as those of ordinary German citizens caught up in that politically and emotionally charged period, leading his audience into some surprising corners.

There’s usually at least a gay subtext to Mark’s shows, but gayness is all out in the open on this one, where he spends much time reflecting on the place of gays and Jews in the socially progressive Wiemar era. As open an era as it was, though, homosexuality was still illegal, and Nadler highlights the bravery of lyricist Kurt Schwabach and composer Mischa Spoliansky who wrote the totally astonishing “Lavender Song (Das Lila Lied)” – as defiant an anthem for gay rights as I’ve ever heard – in 1920.

I’m always referring to the titles of Mark’s shows and talking about them as theatrical pieces. That’s because, more than any other cabaret artist I’m aware of, Nadler puts his shows together with passionate intelligence and careful structuring – to truly stunning results. His shows are truly theatre pieces and truly cabaret, all at once. There are always many layers in a Mark Nadler show, ranging from the obvious, to the unspoken subtext, which gives an “oomph” far, far beyond your typical cabaret show. This one has an even more profound emotional pull, and is truly not to be missed.

For tickets, click here.

For more reviews and interviews by Jonathan Warman, see dramaqueennyc.com.

Cabaret Review: Ann Hampton Callaway

Ann Hampton Callaway is a multiplatinum-selling pop and jazz singer/songwriter best known for writing and singing the theme from the TV hit The Nanny. She also has the distinction of writing three songs for Barbra Streisand, and that is the inspiration for her latest cabaret act “The Streisand Songbook” (Ann is also an out lesbian, who gave me the honor of being the journalist to do her “coming out interview” – you can read that here).

La Streisand influenced La Callaway long before Barbra sang Ann’s songs – Funny Girl exerted a strong influence on the young singer (long before she was a songwriter). Some of the most powerful – and powerfully sung – moments in Callaway’s show are from Funny Girl, including a rafter-shaking “Don’t Rain On My Parade”, and “People” artfully mixed with one of Sondheim’s greatest (I won’t give it away, the surprising combination is one of this show’s greatest pleasures).

Ann remarks that Barbra was one of two great influences on her – the other was Ella Fitzgerald. So it’s completely natural that the feel of this show should be Barbra’s beltiness mixed with Ella’s sumptuous jazziness. Indeed, Ann’s interpretation of the song that Barbra co-wrote with Paul Williams, “Evergreen”, is the jazziest take I’ve ever heard of that particular song.

Other high points include Ann’s renditions of the songs she wrote for Barbra “At the Same Time” and “I’ve Dreamed of You” – dare I say it, Ann’s heartfelt interpretation of “I’ve Dreamed of You”, dedicated to her fiancee Kari Strand, was even stronger than Barbra’s recording (though who knows what Barbra might do with it if she sings it on October 11).

Callaway successfully covers all five decades of Streisand’s multi-faceted career, crafting a loving musical portrait of a brilliant, conflicted artist driven to seek pop music perfection. Callaway herself achieves a kind of jazz-pop perfection, a kissing cousin of Streisand’s, and every bit as shimmery and rich.

For tickets, click here.

For more reviews and interviews by Jonathan Warman, see dramaqueennyc.com.

Is hip hop now pushing no homo-phobia?

When rapper Frank Ocean came out of the closet earlier this year, many wondered how well a gay hip-hop star might be received.  As it turns out, the hip hop industry is moving from “no homo” to “no homophobia”.

First 50 Cent, JayZ and Kanye West pledged their support for Ocean and gay rights, now Snoop and Ice-T are coming out for the gays.

Snoop thinks it is a sign of change.

“People are learning how to live and get along more, and accept people for who they are and not bash them or hurt them because they’re different,” he said.

Ice-T said it all depends on the lyrics they’re putting down.

He said: “I’ve done hardcore hip-hop in my life where masculinity is at a premium. At this moment right now, we’re in the world of pop-rap and it doesn’t really matter right now. These guys are singing, it’s pop music and being in pop and gay is OK.”

“It would be difficult to listen to a gay gangster rapper… If you’re a gangster rapper like myself and Ice Cube… if one of us came out and said something, that would be a big thing. That would be like, ‘Whoa! What?’”

Since coming out, Ocean has seen little resistance from those within the hip hop community.

San Diego Pride Executive Director reminds us how brave LGBT service members have been this year

Below is an open letter from Dwayne Crenshaw, the San Diego LGBT Pride Executive Director, who reminds us how equally important gay and lesbian service members are after many marched in uniform during  San Diego’s annual march over the weekend.

The Defense Department got involved in deciding those who served our country and planned to celebrate in Saturday’s events should be allowed do so in uniform following the repeal of the Don’t Ask, Don’t Tell policy.  They did just that.  San Diego’s  parade on Saturday will go down in history as the first to allow active service members to openly participate in a gay pride event while wearing their uniform.

Crenshaw’s letter in its entirety is printed below.

San Diego gay servicemenmarch for pride

 

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