Tag: gay pride

Cabaret Review: Latrice Royale

Latrice-Royale 2017

I knew from her last cabaret act that Latrice Royale can sing, y’all! And she’s actually pretty damn good at it! There’s no attempt at giving you “girl singer,” but she clearly models her approach to song interpretation on the likes of Aretha Franklin. She may not have Aretha’s pristine vocal instrument, but she certainly understands her lessons in musicality and expression. And her take on jazz composer Diane Schuur’s bluesy meditation “Life Goes On” (also the name of the show) makes a very good case for this solid but obscure song.

Like her previous act (titled Here’s to Life) Life Goes On is solidly in the mold of traditional autobiographical cabarets. However, since the earlier act told the story of most of Latrice’s life, and this is more of an update, the balance is slightly off. Both acts are more talk than song, but with less life material, some of the patter gets repetitive. Latrice has such presence that it never becomes unwatchable, but this particular show could use more songs for sure. Because when she sings something like “Nobody Does It Like Me” or the suggestive “Hot Nuts” it is pure drag gold.

Latrice Royale is backed by a very able jazz trio led by her fiance Christopher Hamblin on the piano. Life Goes On feels more polished than the cabaret acts I’ve seen from other Drag Race alumni, full of humor, soulfulness and candor. Latrice is the real thing, and I want to hear much more from her as a singer. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Casting Call: Drag Stars needed for Fringe Musical Jonathan Warman is directing!

13511592_10155038716893636_316982583_n

CASTING CALL: “That’s MISS FITS, to YOU!”.

5 Performances, NYC Fringe Festival, August, 13, 15, 19, 22 & 27, various times. Rehearsals, July 15-opening, evenings.

Auditions: July 6, 7 & 8, 2016. 7p.m. to 10p.m. At BoConcept: 144 W. 18th Street, NYC.

For audition appointment:

More info and music samples: http://thatsmissfitstoyou.weebly.com/

Seeking big drag personas, gender-funk, trans-actors, for a poly-gender, spiritual, mystery musical. Singers, dancers, comedians, lip-sync. 6 roles, age 20-40. 6 roles, age 40-70. Big characters. Plus one young muscular male, and one Judy Garland impersonator.

Audition in drag/gender-funk, or bring a photo.

Roles:

YOUNG MISS FITS
20 to 40 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). A starring part with singing and silent acting only — no lines. A powerful queer spirit guide.

MRS COUNTERPOINT
40 to 70 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Always the show-woman / show-off, but also very tough. Lead role, singer/actor.

MISS ALLITERATION
40 to 70 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Sweet and a bit mystical, comedian, very funny. Lead role, singer/actor.

MISS SERVICE WO-MAN
40 to 70 years old, all ethnicities male (could be FTM trans) in drag (room for “gender-funk”, a beard is possible but not required). Military type, some severe up in here. Lead role, singer/actor.

MISS CONSPIRACY
40 to 70 years old, all ethnicities MTF trans or cisgender man in drag. Fierce, fierce, fierce. Lead role, singer/actor.

SERGEANT GRIM
40 to 70 years old, all ethnicities Policeman, stately and stern, butch yet androgynous, with secrets to spare. Lead role, singer/actor.

POLICE BOY
20 to 30 years old, all ethnicities male. Gorgeous young muscle stud eye candy. Has a solo song and some dialogue.

YOUNG MRS COUNTERPOINT
20 to 30 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Always the show-woman / show-off, but also very tough. Major role, singer/dancer.

YOUNG MISS ALLITERATION
20 to 30 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Sweet and a bit mystical, comedian, very funny. Major role, singer/dancer.

YOUNG MISS SERVICE WO-MAN
20 to 30 years old, all ethnicities male (could be FTM trans) in drag (room for “gender-funk”, a beard is possible but not required). Military type, some severe up in here. Major role, singer/dancer.

YOUNG MISS CONSPIRACY
20 to 30 years old, all ethnicities. MTF trans or cisgender man in drag. Fierce, fierce, fierce. Major role, singer/dancer.

JUDY GARLAND
20 to 50 years old, all ethnicities male or female. Impersonator of the legendary singer. Must give a convincing illusion of Miss Garland’s vocals, appearance and mannerisms. Has a featured song.

ROSA PARKS
40 to 45 years old, African American male or female. Woman or man in drag. Non-speaking dignified impersonation of the legendary civil rights activists. Depending on acting and vocal abilities may double as Service Wo-Man, Counterpoint, or Alliteration.

DURATION

July 15, 2016 – June 27, 2016

Cabaret Review: Charles Busch

Charles Busch_2016

Legendary playwright and drag performer Charles Busch has always combined elegantly languid, self-effacing charm with an effortlessly brassy glamour. Busch’s main line is comically complex hard-boiled dames, and while he doesn’t leave that behind entirely, this act is in general more sentimental and sincere. The most time he spends in “brassy-land” is when he’s portraying the character Miriam Passman, an under-talented, over-egotistical cabaret dilettante.

When not giving us Ms. Passman, this act is more of a “big sing” than previous presentations. Busch has a pleasantly throaty, not terribly strong, high tenor singing voice – but you don’t come to one of his acts for musical virtuosity. As with the greatest cabaret singers, it’s all about how Busch acts the story and emotion of a song.

The songbook for this show ranges from Jerome Kern to Paul Williams. For each song, Busch takes pains to clearly delineate the details of every image and event, with just a dash of his “dame” persona to give it all an elegantly wry air. He does a clutch of Sondheim songs, and it’s telling that most of them are from the quirky flop Anyone Can Whistle – sweetly off-kilter is the target, and Busch hits it with artful precision.

Busch sincerely loves artifice and invests every moment he has on-stage with substantial style – and a discreetly dishy side, as well. They don’t make ’em like this anymore, and there’s only one Charles Busch.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Cabaret Review: Lady Bunny

Lady Bunny Trans Jester

Lady Bunny sings! In the past, she lip-synched her own voice for her song parodies, both medleys and single-song versions but now she does them live. It’s skipping a step and she’s a decent singer, so this new arrangement works well. Of course for her famous, zany Laugh-In style routines, she still lip-synched, and there was a number where she performed the attitude in her voice-over, but didn’t actually mouth the words. This “Lady” doesn’t put limits on what she’s going to say or do in her new cabaret act “Trans-Jester” – one of the great charms of this show is its spontaneity.

Bunny is one of the smartest drag queens ever, and she is equally likely to launch into incisive political rants – my favorite parts of the show – or a steady stream of dick and poop jokes. She’s a powerful presence who also posses a terrific sense of when to keep it light. This show also explores her own complicated relationship with the wider transgender community, especially in the light of political correctness, which finally comes down to a more sophisticated version of “sticks and stones can break my bones, but words can never hurt me.”

She never stays in one mode for too long, and while she might go all stream of consciousness at certain points, she never quite seems to ramble. The Lady isn’t afraid of sentiment, but she’s not sappy – It’s a terrific balance, and probably the only way you could tell these on the edge jokes in a way that’s funny rather that truly offensive. She’s an energetic, mostly-for-the-laughs winner – definitely the funniest gay show in town!

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Obama’s #LoveWins tweet top political tweet of the year

Rainbow White House

President Obama’s June 26 tweet in support of the Supreme Court legalizing gay marriage nationwide was the No. 1 politics and government tweet of the year.

The full text of the tweet was:”Today is a big step in our march toward equality. Gay and lesbian couples now have the right to marry, just like anyone else. #LoveWins”

Full story at Politico.

%d bloggers like this: