Colin Quinn is one of the better comics doing political satire – he communicates highly complicated ideas through the most mundane and absurdly funny examples. I thoroughly enjoyed his Broadway hit Long Story Short, which told the history of the world, brought wittily down to a comprehensible human scale.
I really enjoyed the circus acts that populate director Diane Paulus’s revival of Pippin. They did nothing, however, to make me reevaluate my lukewarm feeling toward the show as a whole.
This is Douglas Carter Beane’s best play yet! In The Nance, he delves into a world that has long fascinated me, the world of effeminate gays as characters in nightclub entertainment of the early 20th Century.
I’ll admit I’m biased – I may not be a boomer who lived through the glory days of Motown, but I have loved Detroit soul for as long as I can remember. So, even though Motown the Musical isn’t as well constructed as, say, Dreamgirls (ahem), I still had a royally good time.
This is exactly the kind of flashy, fun musical comedy at which Paper Mill Playhouse has always excelled. Thoroughly Modern Millie is set in (and all about) the Roaring Twenties, as young Millie Dillmount arrives in New York City, seeking all the excitement it can provide before she completes her mission of marrying a wealthy captain of finance.