Tag: Fun

Film Review: “Pride”

Pride

It is not at all surprising that this movie is already being adapted into a stage musical. For one thing, Matilda‘s Matthew Warchus directed it (with great feeling and nimbleness, I might add). Also, it’s the latest in a line of British movies that highlight a transforming encounter between working-class heart and queer fabulousness: The Full Monty, Billy Elliot, Kinky Boots, etc. All of which have gone on to be highly successful as musicals. It doesn’t hurt that Pride, to my mind anyway, is the best of the lot.

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Theatre Review: “Mighty Real”

Mighty Real

This show takes electrifying flight When Anthony Wayne is singing, channeling “The Queen of Disco” Sylvester. And since there is more singing than talking in this show, Mighty Real spends most of its time soaring through disco heaven.

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Cabaret Review: Christine Ebersole

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For her first long cabaret run in two years, Christine Ebersole returns to 54 Below with a glorious new show. What really distinguishes this show from her previous cabaret turns (they’ve all been glorious) is the touch of Musical Director Bette Sussman, who brings with her a big, rock-ish band and a jazz-pop polish reminiscent of arranger William S. Fischer’s work on the classic Bette Midler album The Divine Miss M (Sussman has collaborated with Midler herself on more than one occasion). In any event, and in case you didn’t know, I am here to tell you that Christine Ebersole is faaaaaabulous!

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Cabaret Review: BenDeLaCreme

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A little bit Lypsinka, a little bit Mummenchanz – certainly not what I expected when going to see a cabaret act from Drag Race alum BenDeLaCreme. Oh sure, there was plenty of other stuff in line with other drag cabarets I’ve seen: goofy song parodies, wisecracking comedy and so forth. But DeLa has something more sophisticated to offer, in a show with a seductive strangeness that creeps up on you.

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Cabaret Review: Nellie McKay

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Nellie McKay is a highly individual talent, a supreme stylist, with wild, crazy creativity and substantial musical intelligence to match her razor-like interpretive ability. McKay has become something of a specialist in biographical cabarets – experimental performance art meets high society cabaret – and has put together another such special show about Billy Tipton, a jazz pianist who was discovered to have been a woman after his death.

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