This is Douglas Carter Beane’s best play yet! In The Nance, he delves into a world that has long fascinated me, the world of effeminate gays as characters in nightclub entertainment of the early 20th Century.
I’ll admit I’m biased – I may not be a boomer who lived through the glory days of Motown, but I have loved Detroit soul for as long as I can remember. So, even though Motown the Musical isn’t as well constructed as, say, Dreamgirls (ahem), I still had a royally good time.
This is exactly the kind of flashy, fun musical comedy at which Paper Mill Playhouse has always excelled. Thoroughly Modern Millie is set in (and all about) the Roaring Twenties, as young Millie Dillmount arrives in New York City, seeking all the excitement it can provide before she completes her mission of marrying a wealthy captain of finance.
I was always a bit of a know-it-all girl growing up – Lisa Simpson and Hermione Granger come to mind. So it’s hardly surprising that I got a kick out of a musical about the biggest know-it-all girl of all time, Roald Dahl’s Matilda.
The John Pizzarelli Quartet always scales the heights of cabaret’s jazzier side with astonishing musicianship and elan. This particular engagement at the Café Carlyle, however, is singularly focused on their guest star Bucky Pizzarelli, John’s father as well as jazz guitar legend in his own right (having played with the likes of Benny Goodman, Les Paul and Dion and the Belmonts).