Early 19th Century Italian opera…just not my thing! I mean, this opera is probably the very best that time and place produced, and I admire its virtues and chuckle at its humor (more than I do for some other supposedly funny operas) – but still it leaves me wanting something more or something else.
This rarely happens with musicals, but the reason to see this impeccably staged show is the director: Bill Condon, the man who arguably did the most to revive the movie musical with his script for Chicago (2002) and his script and direction of Dreamgirls (2006) (while also writing and directing such queer-themed films as Gods and Monsters and Kinsey). His love of musical theater is obvious, so it was probably only a matter of time before he entered the Broadway arena. With Side Show Condon successfully translates his storytelling magic to the stage.
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Everyone has something to be thankful for, and we are thankful to you!
In this riveting evening of lip-synch, there’s a lot of people up on that stage, even though there’s only two bodies. John Epperson lip-synchs an interview Joan Crawford gave in 1973 in New York’s Town Hall. Or is it Epperson as his drag persona Lypsinka as Crawford?
Not to mention that some of the additional audio is Faye Dunaway portraying Crawford in Mommie Dearest, and some other cues are extracted from films where Crawford is portraying yet another “somebody else.” And then there’s the interviewer, lip-synched in most performances by Steve Cuiffo (Hairspray lyricist and generally brilliant man of the theatre Scott Wittman will perform the role November 18 through December 1).