Category: Nightlife

Cabaret Review: Jinxk Monsoon & Major Scales

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‘Tis the season – time for drag queens to work a holiday theme to buy Mama a new pair of shoes! There’s a joke in Jinkx Monsoon’s current Xmas show that makes that explicit – “Why do we put ourselves through doing holiday shows? For the paycheck!!!” This particular show also features her musical counterpart, pianist/composer/raconteur Major Scales, and is called Christmas Mourning, mostly in response to the election.

Their biggest hit, The Vaudevillians, was a real stunner, a thoroughly thought-out evening of cabaret theatre, which successfully staked their claim to be regarded as major players in the worlds of both high drag and cabaret. This show is almost as structured – which is very unusual for holiday drag shows. Monsoon and Scales are more entertaining and smart than the vast majority of the competition, which is why they’re capable of producing a holiday drag show that’s nearly as high concept as The Vaudevillians.

They share traumatic Christmas stories, sing a Lana Del Rey song with “exactly as much effort as she herself puts into performing it” and give Mariah Carey the bird. They even sing a couple of strong original songs. One cheekily pays tribute to being gender-fluid. The other (a solo for Scales) pictures a passive-agressive dinner with Trump-voting relatives.

Christmas Mourning is light years more thoughtful than your typical holiday drag act, while rarely being less than acidly hilarious. It’s somewhat similar to Mx. Justin Vivian Bond’s holiday shows – very funny but with genuine rage and love just below the surface. Don’t miss it!

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Simply Barbra Holiday Show: The Music, The Mem’ries, The Matzo…

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Steven Brinberg is the premier Barbra Streisand impressionist, who has taken his act, “Simply Barbra”, to international acclaim both on stage and television (performing on several occasions with none other than Streisand buddy Marvin Hamlisch) paying homage to all that is Streisand. Steven does not lip-sync but does a stunningly accurate singing impressionism of Streisand.

Steven will be doing Simply Barbra Holiday Show: The Music, The Mem’ries, The Matzo… at Feinstein’s / 54 Below this Sunday, December 18. It’s an evening of holiday tunes, Streisand classics and glimpses of other divas from Cher to Bea Arthur. All performed live, no lip synching. Look for a special guest star to join Barbra to help ring in the holidays – and sing some famous Christmas songs written by Jewish composers.

Steven Brinberg has been acclaimed for his vocal performance of Barbra Streisand for over a decade around the world. In addition to touring all over America he has also played extensively in England, Ireland, Scotland, Australia, Thailand, Spain, Mexico and Canada…more cities then the real Barbra! Steven was hired by Streisand’s management to perform at her friend Donna Karan’s birthday party.

The show contains songs from both The Christmas Album – “probably more from that one,” Steven notes, and Christmas Memories. “It’s funny,” says Steven, “I change the show constantly especially the talking. At one point, I referred to James Brolin as a famous B movie and TV actor, at another point I took the B out. The challenge in keeping the shows fresh after so many years is helped by Barbra still being such a presence. Keeps it current. And I’m always free to sing songs she has never done, as I know exactly how she might do them down to the last breath. I had been singing ‘Make Someone Happy’ in the show years before she recorded it. And the end result when she did it was pretty close. I was surprised though that she changed her phrasing on the lyric from ‘Love is the ansuh’ to ‘Love is the anserrr’ perhaps to plug the title of the album!”

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Cabaret Review: Sharon Needles

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A song about Candy Darling by Lou Reed, and a Rocky Horror song delivered with a dash of Bette Davis and a whole lot of Alice Cooper – these were perhaps the most deliciously telling things about Sharon Needles’s Halloween-themed cabaret act. Needles keeps referring to her shtick as “stupid,” which I chalk up to a knee-jerk – and praise-worthy – punk need to puncture any and all kinds of self-importance. But don’t you believe it: This is one smart poison cookie!

The question I had going into this act was: “how well does this witch sing?” Because, like Bianca Del Rio, I don’t pay much attention to singles and albums released by drag queens. These are people who are meant to be seen live. And the answer? Sharon sings very well indeed, in a glam punk kind of way – the Alice Cooper reference above captures it, with an added dash of Marilyn Manson aggression.

The majority of the songs are from her campy horror albums. On those, the songs are done in a gothy version of the electropop style that is de rigeur for Drag Race graduates (I took a listen after I’d seen the act). Done live with only a piano, their hard rock roots are definitely showing, which makes me very happy. Makes me wonder what they would sound like played balls-to-the-wall Iggy & the Stooges style.

The above-mentioned cover versions are highlights of the evening. To hear the Velvet Undergound’s 1968 classic “Candy Says” sung with great sincerity and emotion by a man in a beautiful wig and dress is quite moving. And Sharon’s hilariously re-lyricized version of “Sweet Transvestite” gives new life to that midnight movie chestnut.

It’s a good thing this act is consistently high quality, cuz it’s a bit of a butt-buster with its nearly hour and a half length. That said, I didn’t really lose patience that whole time. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

CD Review: “The Gay Agenda” – Justin Sayre

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Gayest comedy album ever! Justin Sayre’s The Gay Agenda is made up of stand up excerpts from The Meeting*, a live variety show Sayre hosts. In his role as Chairman of the Board of the International Order of Sodomites, Sayre addresses a variety of subjects related to the gay community with take-no-prisoners verve and venom. In a persona that is femme yet tough, brassy and bellowing, this gay’s got issues with gays that got issues, be it lusting after straight men, worshiping idols that aren’t worthy of us, thinking the struggle is over because of gay marriage, or being awful to younger gays. In the album’s lightest moment, he alternates with Michael Musto in describing delightfully absurd pitches for Sex and the City 3. Gay, gay, gay, gay, gaygaygay.

To purchase, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Casting Call: Drag Stars needed for Fringe Musical Jonathan Warman is directing!

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CASTING CALL: “That’s MISS FITS, to YOU!”.

5 Performances, NYC Fringe Festival, August, 13, 15, 19, 22 & 27, various times. Rehearsals, July 15-opening, evenings.

Auditions: July 6, 7 & 8, 2016. 7p.m. to 10p.m. At BoConcept: 144 W. 18th Street, NYC.

For audition appointment:

More info and music samples: http://thatsmissfitstoyou.weebly.com/

Seeking big drag personas, gender-funk, trans-actors, for a poly-gender, spiritual, mystery musical. Singers, dancers, comedians, lip-sync. 6 roles, age 20-40. 6 roles, age 40-70. Big characters. Plus one young muscular male, and one Judy Garland impersonator.

Audition in drag/gender-funk, or bring a photo.

Roles:

YOUNG MISS FITS
20 to 40 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). A starring part with singing and silent acting only — no lines. A powerful queer spirit guide.

MRS COUNTERPOINT
40 to 70 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Always the show-woman / show-off, but also very tough. Lead role, singer/actor.

MISS ALLITERATION
40 to 70 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Sweet and a bit mystical, comedian, very funny. Lead role, singer/actor.

MISS SERVICE WO-MAN
40 to 70 years old, all ethnicities male (could be FTM trans) in drag (room for “gender-funk”, a beard is possible but not required). Military type, some severe up in here. Lead role, singer/actor.

MISS CONSPIRACY
40 to 70 years old, all ethnicities MTF trans or cisgender man in drag. Fierce, fierce, fierce. Lead role, singer/actor.

SERGEANT GRIM
40 to 70 years old, all ethnicities Policeman, stately and stern, butch yet androgynous, with secrets to spare. Lead role, singer/actor.

POLICE BOY
20 to 30 years old, all ethnicities male. Gorgeous young muscle stud eye candy. Has a solo song and some dialogue.

YOUNG MRS COUNTERPOINT
20 to 30 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Always the show-woman / show-off, but also very tough. Major role, singer/dancer.

YOUNG MISS ALLITERATION
20 to 30 years old, all ethnicities male. Man in drag (room for “gender-funk”, a beard is possible but not required). Sweet and a bit mystical, comedian, very funny. Major role, singer/dancer.

YOUNG MISS SERVICE WO-MAN
20 to 30 years old, all ethnicities male (could be FTM trans) in drag (room for “gender-funk”, a beard is possible but not required). Military type, some severe up in here. Major role, singer/dancer.

YOUNG MISS CONSPIRACY
20 to 30 years old, all ethnicities. MTF trans or cisgender man in drag. Fierce, fierce, fierce. Major role, singer/dancer.

JUDY GARLAND
20 to 50 years old, all ethnicities male or female. Impersonator of the legendary singer. Must give a convincing illusion of Miss Garland’s vocals, appearance and mannerisms. Has a featured song.

ROSA PARKS
40 to 45 years old, African American male or female. Woman or man in drag. Non-speaking dignified impersonation of the legendary civil rights activists. Depending on acting and vocal abilities may double as Service Wo-Man, Counterpoint, or Alliteration.

DURATION

July 15, 2016 – June 27, 2016

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