Opera Review: “Candide”

Candide

I’m biased here: I am a complete Leonard Bernstein nut. I’ve been very excited ever since I first heard about the New York City Opera revival of Candide. It’s not the unimpeachable masterpiece that Lenny’s West Side Story is – the book is famously problematic – but it is still enough of a joy that as long as you nail that sublime Bernstein score, it’ll be a grand night out. Nail it this company does, and the results are glorious.

Based on Voltaire’s 1759 novella of the same name, Candide follows the naïve titular character as he strives to maintain his optimism in the face of brutal experience. The sprightly, brilliant score is one of the best things Bernstein ever wrote, and starts with my personal choice for best musical overture of all time. This production was first staged for NYCO in 1982 by legendary director Harold Prince, featuring Voltaire as ringmaster of a circus. While the staging is showing some signs of age, Prince has refurbished many moments for an overall better flow.

Jay Armstrong Johnson imbues the title role with a charming guilelessness. Meghan Picerno plays Candide’s true love Cunégonde, filling her signature song “Glitter and Be Gay” with wit and surprise. Gregg Edelman attacks the campy business that Prince gives to Voltaire with real relish. Linda Lavin makes a full meal of the smaller plum role The Old Lady. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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Written by Jonathan Warman

Jonathan Warman

Jonathan Warman is GaySocialites.com’s exclusive theatre critic. He also writes regular music and cabaret reviews. Jonathan is also accomplished freelance Stage Director. You can e-mail him at jonathan@gaysocialites.com” or by clicking on the social networking links below.



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