Theatre Review: "Looped"
by Jonathan Warman
Playwright Matthew Lombardo’s Tea at Five, his one-woman show about Katherine Hepburn, had a charming light touch. If only Looped, his full-fledged play about Tallulah Bankhead, had that touch. I know, one doesn’t automatically think “charming light touch” and Tallulah Bankhead go together, but the woman was as intelligent and complex as Hepburn — which is barely hinted at in Looped.
Except, that is, in Valerie Harper’s full-throttle performance as Tallulah. From the moment she barks her entrance line “Fuck Los Angeles!” as she enters a 1965 Hollywood sound studio, Harper gives a performance that fills in many of the blanks in Lombardo’s tale. She turns out an entirely credible physical and vocal recreation of Tallulah, and has captured much of the mercurial rebel spirit that burned in her.
In Looped, Bankhead attempts to re-record (or “loop”) one line of dialogue for Die, Die My Darling, her last film. Tense film editor Danny Miller does his best to corral her, without much success. The first act of Looped is largely structured as “Tallulah, Stand-Up Comedian,” as Bankhead hurls all of her most outrageous quips and anecdotes at the unresponsive Miller. Yes, Bankhead had a raunchy wit, but piling all of these quips together, one after the other, reduces the effectiveness of all but the best of them.
The second act recovers somewhat as Tallulah sobers up a bit and compassionately helps her nemesis Danny deal with his problems — turns out the boy’s a bit of a closet case. A touching scene or two, sure, but what is this supposed to tells us about Tallulah, I have no idea. In general, Lombardo seems to be playing fast and loose with the truth about Bankhead’s talent, character and even the facts of her career. Looped is intermittently entertaining, and Harper’s performance worth seeing, but I would in no way call it essential.
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For more reviews and interviews by Jonathan Warman, see dramaqueennyc.com.




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